Body|Sound|Music|Technology: a selective bibliography.


Birdsall, Carolyn and Anthony Enns (eds.)(2008). Sonic Mediations: Body, Sound, Technology. Newcastle: Cambridge Scholars Press.

Braun, Hans-Joachim (ed.) (2000).  ‘I Sing the Body Electric’: Music and Technology in the 20th Century. Hofheim: Wolke.

Broadhurst, S. (2007). Performance and Technology: Practices of Virtual Embodiment and Interactivity. Basingstoke: Palgrave.

Bull, Michael and Les Black (eds.) (2003) The Auditory Culture Reader. Oxford: Berg.

Cumming, Naomi (2000). The Sonic Self: Musical Subjectivity and Signification. Bloomington: Indiana University Press.

DeNora, Tia (2000). Music in Everyday Life. Cambridge: Cambridge University Press. [Chapter 4 covers sociological perspectives on music and the body]

Dyson, Frances (2009). Sounding New Media: Immersion and Embodiment in the Arts and Culture. Berkeley and Los Angeles: University of California Press.

Emmerson, Simon (2007). Living Electronic Music. Aldershot: Ashgate.

Evens, Aden (2005). Sound Ideas: Music, Machines and Experience. Minneapolis: University of Minnesota Press.

Holsinger, Bruce W. (2001). Music, Body and Desire in Medieval Culture: Hildegard of Bingen to Chaucer. Palo Alto: Stanford University Press.

Ihde, Don (1976). Listening and Voice: A Phenomenology of Sound. Athens, OH: University of Ohio Press.

Kahn, Douglas (1999). Noise Water Meat: A History of Sound in the Arts. Cambridge MA: MIT Press.

LaBelle, Brandon, Martin Spinelli and Allen S. Weiss (2005). Christof Migone – Sound Voice Perform. Los Angeles: Errant Bodies.

Le Guin, Elisabeth (2006). Boccherini’s Body: an Essay in Carnal Musicology. Los Angeles: University of California Press.

Leman, Marc (2008). Embodied Music Cognition and Mediation Technology. Cambridge, MA: MIT Press.

Leppert, Richard (1993). The Sight of Sound: Music, Representation, and the History of the Body. Berkeley: University of California Press.

Martinelli, Dario (ed.) (2006). Music, Senses, Body: Proceedings of the International Congress of Musical Signification, Roma 2006.

Morris, Adalaide (ed.) (1997). Sound States: Innovative Poetics and Acoustical Technologies. Chapel Hill and London: The University of North Carolina Press.

Nancy, Jean-Luc (2007 [2002]). Listening. Translated by Charlotte Mandell. New York: Fordham University Press.

Rosenboom, David (ed.) (1976). Biofeedback and the Arts: results of early experiments. Vancouver: ARC Publications.

Sterne, Jonathan (2003). The Audible Past: Cultural Origins of Sound Reproduction. Durham, NC: Duke University Press.

Weiss, Allen S. (2002). Breathless: Sound Recording, Disembodiment, and the Transformation of Lyrical Nostalgia. Middletown, CT: Wesleyan University Press.


Check out the bodiessoundstechnologies CiteULike. More articles will be added soon.


1 Comment

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )


Connecting to %s