[CFP] Gender and Ability, Technology and Sound

This cross-disciplinary symposium examines the intersections of listening and ability as it relates to issues of gender and technology. Devoted to the dissemination of new unpublished research and exciting interdisciplinary encounters, the symposium will bring together leading scholars from the sciences and humanities as well as community activists to discuss political, cultural, and historical issues at the nexus of listening and ability.

The symposium will consist of invited keynote lectures, seminars, and papers sessions by leading scholars in the fields of psychology, science and technology studies (STS), and the humanities. Dr. Sandra Trehub and Dr. Mara Mills will present keynote lectures on their work in psychology and ability-technology studies, with follow up discussions planned throughout the conference. Dr. Carol Stabile will chair a panel on the challenges faced by women in the sciences and STS. There will also be a series of paper presentations with respondents from among University of Oregon’s leading faculty in the sciences, social sciences, and humanities.We welcome research from a broad range of perspectives, including neurobiology, developmental psychology, music therapy, ethnomusicology, linguistics, anthropology, music perception and cognition, language acquisition, cognitive neuroscience. We interpret these fields widely, and invite scholars who engage in dialog with these fields – regardless of the discipline with which they self-identify.

Scholars of deafness like Mara Mills argue that hearing and voicing have functioned as key modes for defining and discriminating human sociality in such a way that leaves Deaf and hearing-impaired individuals on the margins of the social world. Doubtlessly, technology has played a central role both in re-inscribing and ameliorating this audist and phonocentric world. This conference invites researchers, scholars, and/or activists to participate in a conversation regarding how we think about deaf/Deaf issues historically, technologically, and futuristically. Further, we invite engaged intellectuals to combine the issues of ability and sound with other paradigms of activism and theory, such as anti-colonialism, anti-racism, and/or feminist issues.

Papers are invited that report empirical and theoretical research addressing these topics and expanding our knowledge of these intersecting fields. Researchers interested in presenting a paper should submit a 500 word abstract by  February 11, 2013 detailing 1) the main findings or argument of their papers, and b) their potential to contribute to broad conversations in the sciences and humanities around gender, technology, listening, and ability (please visit the symposium website for more details). Abstracts should be submitted to jmendoz4 .AT. uoregon.edu

Submissions will be reviewed anonymously by symposium organizers Jenny Mendoza and Bryce Peake in consultation with leading scholars in their fields. Selected papers from this event will also be submitted as part of a proposed issue on gender, sound, technology, and ability for Ada: A Journal of Gender, New Media, and Technology. In its first issue, Ada received over 30,000 downloads, and we look forward to expanding the exciting conversations regarding gender, new media, and technology occurring there.

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[CFP] Journeys Across Media: The Body and The Digital

Postgraduate Conference
Friday 19 April 2013
University of Reading

2013 will mark the 11th anniversary of the annual Journeys Across Media (JAM) Conference for postgraduate students, organised by postgraduates working in the Department of Film, Theatre & Television at the University of Reading. JAM 2013 seeks to focus on and foster current research relating to the Body and the Digital, as today they are interactive and interdependent facets in the media of film, theatre and television; and more widely, in the areas of performance and art. It is a relationship which continues to develop and redefine cinematic, televisual and theatrical practices.

This is a call for postgraduates engaging in contemporary discourses and practices relating to the Body and the Digital, to submit papers or practice-based research for the JAM 2013 Conference. Topics may include, but are not restricted to:

  • Interactivity between Digital languages and the Body
  • Sonic Representations of the Body in Digital Performance
  • The Digitized Body in Performance
  • The Role of the Body in Digital Games and Virtual Performance
  • Post-Colonial Bodies in the Contemporary Moment
  • Preparing the Body for Performance
  • Notions of Embodiment (i.e. Violent, Disabled, Explicit)
  • Traditions of Corporeally focused Film, Theatre and Television
  • Embodied Spectatorship or Audiences, and Physicality
  • Phenomenology of the Lived, Performed and Screened Body
  • The Haunted Body
  • Politics of the Body
  • Unconventional and Other Bodies

The body, its presence, perceptions and experience, are becoming increasingly underpinned and influenced by the digital age.  JAM 2013 will endeavour to open a dialogue about the relationship between the body and digital in contemporary scholarship and practice, posing many questions including: How does the body encounter digital media and how do digital media frames position the body – both in mainstream iterations, social media contexts and in art/installation/performance contexts? Furthermore, it will also be worth considering how digital technology has affected the way that humans approach unfamiliar body movement traditions, beyond regional and national borders?

JAM 2013 will provide a discussion forum for current and developing research in film, theatre, television and new media. Previous delegates have welcomed this opportunity to gain experience of presenting their work at different stages of their development, while having the opportunity to meet and form contacts with fellow postgraduate students. Furthermore, participants at JAM 2013 have the possibility of being published in the Journal of Media Practice.

Non-Presenting delegates are also very welcome to attend this conference.

 

CALL FOR PAPERS deadline: 1st February 2013
Please send a 250-word abstract for a fifteen minute paper and a 50-word biographical note to Johnmichael Rossi, Gary Cassidy, Edina Husanovic, Shelly Quirk, Matthew McFrederick at jam2013@pgr.reading.ac.uk .

CALL FOR PRACTICE-BASED WORK deadline: 1st February 2013
Continuing from the success of last year’s JAM 2012 Conference: Time Tells, which experimented with conference structure to include live performances, film screenings and installations taking place throughout the day, we invite artists working in various mediums to propose presentations of their work, relevant to the conference theme. Please send a 250-word outline describing the piece you are proposing to present, as well as duration and any specific technical/space requirements, and a 50-word biographical note. Relevant images and links to your work would also be helpful. As outlined above please e-mail the Conference organisers at jam2013@pgr.reading.ac.uk .

We would appreciate the distribution of this call for papers and wider promotion of this conference through your networks. Journeys Across Media is supported by the Department of Film, Theatre & Television at Reading and the Standing Conference of University Drama Departments.

For further details check out the event’s web page.

[Publication] Cries from the Guts

Volume 1 / Experiments and Intensities
Winchester, November 2012.
ISBN 978-1-906113-05-6

Edited / curated by Yvon Bonenfant, Will Edmondes & Micah Silver.

Cries from the Guts, the first volume of the Experiments and Intensities series, explores the ways – sometimes gentle and whimsical, sometimes gurgling and grotesque, sometimes elegant and fine, and sometimes chaotic and unrelenting – that a diverse selection of artists engage with the viscerality of sound – from literal, comical and metaphorical perspectives.

Contents: Curatorial-Editorial Statement and Introduction / Yvon Bonenfant // Semiotic Stomach / Ali Cocks // Eating Pipe / Mikael Eriksson // Glis Glis / Laura Maes // Guts / Takahashi’s Shellfish Concern // Music for Flesh II / Marco Donarumma // MCVox / Melanie Chilianis // VUST! / Lawrence Upton & Benedict Taylor // The Hagia Sofia / Sirpa Jokinen.

Hear it here.