Another CFP on the subject of ‘Sounding Bodies’, though this time it’s not from me. Università degli Studi di Torino have put out a call for papers that address the relationships between listening and sounding bodies across the fields of musicology, gender studies, performance studies, and more.
«Gli spazi della musica» is divided into two main sections: the first, called Saggi, comprises Ricercari, a series of free papers on basic topics of musicological research, and Variazioni, a series of papers on a given theme to examine a specific topic. The second section, called Strumenti, has a practical and teaching function.
The editorial board actively encourages authors to submit contributions for the upcoming issues, for both parts in the first section, the Ricercari on free themes, and the Variazioni on a given theme.
The theme for the Variazioni in the two issues of 2013 is
Sounding bodies: spaces, identities, relationships.
- Representations, images and musical constructions of the bodies: how is the body told by the music? How is it hidden? By what means the music builds and transforms the bodies? how does it inscribe different identities in it?
- Musical bodies, listening bodies: what is the physical component of the musical performance? how will be the body included in a work and how the somatic, psychological and motional dimension influences musical structures? What action does the sound carry on the listener’s body and her/his perception? How is the playing, singing, listening body represented in arts, cinema, literature?
- Bodies, instruments, sounding bodies: what kind of relationships exists between bodies and instruments? How is built the body of instruments? What are the effects of the music and of the voice on bodies and identities?
- Bodies, music, spaces: what are the relationships between bodies, spaces, and languages in the performance? Does the sound shape the space and its perception by the body?
Deadlines for all types of contributions (Ricercari and Variazioni), according to the Author guidelines on the website (Linee guida per gli autori) and provided with an abstract of 600 characters:
31 January 2013 for the first issue,
30 June 2013 for the second one.
Papers must be submitted to the address email@example.com
Supported languages are Italian, English, French, German, and Spanish.
View the full CFP on the journal website.