University College Ghent, Belgium. 1 – 3rd December, 2011.
This conference explores the role of the moving and gesturing body in the imaginative perception of works of art. Bodily resonance with the way a work of art is or has been created or performed is an essential part of much of our aesthetic experience and appreciation. This kind of ‘inner movement’ is part of our experience of a whole range of works of art, from an implicit tracing of the draftsman’s hand in drawings to an embodied listening in audiovisual works or an explicit feeling of co-embodiment in dance or theatre performances. The notion of ‘inner movement’ refers not to the representation of movement in works of art, but to the constitutive and creative dimension of the motor body in the perception of works of art, and more generally, to the motor dimension of imagination.
Further information is available on the conference website.