It suddenly feels like the summer hibernation is over and everyone’s getting back into the swing of things events-wise. There are loads of exciting things coming up, the latest of which is ‘Rhythm & Event’ hosted by the London Graduate School. This symposium sets out to explore philosophies of rhythm as a means for analysing events. Here’s a bit more about it (in their words, not mine):
King’s Anatomy Theatre & Museum, 6th Floor, King’s Building
King’s College London, Strand Campus, London, WC2R 2LS
(for directions please see http://atm.kcl.ac.uk/location)
10.00 – 19.30, Saturday 29October 2011 (with registration from 09.00)
How can we think of novelty without attributing ontological prominence and metaphysical distinction between discreteness and continuity, or between the actual and the virtual, the analog and the digital, or the spatial and the temporal? Can a concept of ‘rhythm’ understood as a vibratory movement detached from substance, structure, metric property, and lived experience, become a method with which to account for how the new comes to be? Certainly, on the one hand, Bergson and, following him, Deleuze allow room for the coexistence of these concepts away from opposition. On the other hand, Bachelard and, following him, Lefebvre, have attempted to construct a rhythmanalysis of newness, while Badiou’s theory of the event signals an interruption in the spatiotemporal order. But perhaps there are yet other connections to be made between (what is absent in) these thinkers and towards conceiving ‘a rhythmics of the event’. For example, for theorists such as Kodwo Eshun and Steve Goodman rhythm points to a complex ecology of speeds, inciting mutations across the human-machine network to allow for the construction of a sonic futurity: a virtual coexistence of past and future in the present.
The purpose of this symposium is to elaborate a philosophy of rhythm as an appropriate mode of analysis of the event. Whether aesthetic, cultural, strategic, or other, we understand the event to be an instance of rhythmic time, summoning, expressing and animated by the abstract yet real (virtual) movements of matter. A rhythmic ontogenetics of this kind necessarily departs from a binary split between, on the one hand, natural bodily rhythms (breath, heartbeat and so on) and, on the other, a mechanics of steady tempo or pulse presupposing the metric organisation of spacetime. Instead, this symposium seeks to explore rhythm as an interface between diverse elements (human, machine or other) and a somewhat non-sensory, irregular and amodal movement, lurking at the most potentially unknown or ‘unthought ’ dimensions of the event.Ticket/ entry details:Early-bird registration WAGED: £15 (Until 30th September)From 1st October: £20UNWAGED (Concessions and Kingston University staff/ students): £10Includes coffee, tea and reception
Further details are available on the LGS blog.
[While I’m here I’d like to offer a quick apology for the complete lack of non event-related content recently; I’m in the final stages of writing up my thesis, so time is short …
I hope some of you get chance to attend some of these fantastic talks, performances and symposia, whether they include self-reflexive meditations on their rhythmic structuring or otherwise.]